Frances Benjamin Johnston: The Hampton Album
| ISBN(EAN) | 9781633450813 |
| Издатель |
Museum of Modern Art
(сайт издательства) |
| Язык | Английский |
| Формат | Твердый переплет |
| Страницы | 192 |
| Год издания | 2019 |
| Рейтинг | 4.0 |
| Вес (грамм) | 1340 |
| Размер (мм) | 307(д) х 231(ш) х 20(в) |
A portrait of one of the earliest African American and Native American colleges, from an album found in a bookstore by Lincoln Kirstein
Frances Benjamin Johnston (1864-1952), credited as the first female photojournalist in the United States, was commissioned in 1899 to photograph the Hampton Institute, then a 30-year-old institution dedicated to the education of young African American and Native American men and women. What became known as the Hampton Album--comprised of 159 luxurious platinum plates that offer insight into the daily life of students, originally exhibited in 1900 at the Exposition Universelle in Paris--is Johnston's signature work, and a touchstone for contemporary artists and historians.
The leatherbound album was discovered serendipitously by Lincoln Kirstein in a Washington, DC, bookstore during World War II, and donated to MoMA in 1965. This volume makes the album available to the public in its entirety for the first time, and features a contextualizing essay by curator Sarah Hermanson Meister and a response to the album from artist LaToya Ruby Frazier.
Frances Benjamin Johnston (1864-1952), credited as the first female photojournalist in the United States, was commissioned in 1899 to photograph the Hampton Institute, then a 30-year-old institution dedicated to the education of young African American and Native American men and women. What became known as the Hampton Album--comprised of 159 luxurious platinum plates that offer insight into the daily life of students, originally exhibited in 1900 at the Exposition Universelle in Paris--is Johnston's signature work, and a touchstone for contemporary artists and historians.
The leatherbound album was discovered serendipitously by Lincoln Kirstein in a Washington, DC, bookstore during World War II, and donated to MoMA in 1965. This volume makes the album available to the public in its entirety for the first time, and features a contextualizing essay by curator Sarah Hermanson Meister and a response to the album from artist LaToya Ruby Frazier.
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